Rozdzielczość
300 dpi.
Fonty
Zamienione na krzywe.
Czcionka
Minimalny rozmiar 6pt, minimalna wysokość 1,2mm.
Spady
Tło pracy oraz wszystkie obiekty przylegające do krawędzi należy wyprowadzić na spad poza krawędź, spady 2,5mm na stronę.
Kolorystyka
Kolor jednostronny (4/0) CMYK poza białym poddrukiem jeżeli wymagany.
Biały poddruk
Dodać pod zadrukiem CMYK aby zapobiec prześwitywaniu tła, w przypadku wyboru podłoża folia PP transparentna lub srebrna. Poddruk umieszczamy w projekcie na osobnym kanale w formie maski wypełnionej kolorem dodatkowym o nazwie White, z włączonym nadrukowaniem wypełnienia (overprint). Kanał z kolorem o nazwie White powinna być umieszczona nad warstwą z grafiką. White to CMYK 30/0/0/0.
Kolor czarny
W przypadku czerni drobne elementy tekstowe i kody kreskowe powinny być przygotowane jako 100% K (100% czerni) bez innych składowych kolorystycznych. Atrybut nadruku (overprint) dla czerni powinien być wyłączony.
Kody kreskowe
Powinny być przygotowane jako wektory w kolorze 100% K (100% czerni). W innych przypadkach może pojawić się problem z czytelnością kodów przez skanery.
Dostarczenie pliku
Wymogiem jest plik JPG.
Rozmiar etykiety
Maksymalny: format netto 308x308mm, brutto 313x313mm ze spadami; Minimalny: netto 20x20mm , brutto 25x25mm.
Ilość projektów
W ramach aplikacji automatycznej: maksymalna liczba różnych projektów w ramach jednego zamówienia równa jest liczbie wybranych rolek. Nakłady projektów uzależnione będą od nakładu przypisanego rolce.
W ramach aplikacji ręcznej – 12 to maksymalna liczba projektów w ramach tego samego zamówienia.
NOTICE
We are not liable for printing errors resulting from the delivery of files which do not comply with the above specification.
Today, business correspondence takes place mainly online. This is obvious in the era dominated by digital communication. More special is a message sent in a palpable form, especially if it is written on carefully chosen letterhead stationery reflecting the nature of the brand.
Regardless of the text of the message, letterhead paper is designed according to a certain standard. It always contains the brand logo and the name of the company. This may be accompanied by a motto or a claim. These elements are usually featured in the upper part of the layout.
The bottom section is often the footer, with all important company details, such as its physical and electronic address, hotline number, other contact options. This area may also include other graphic elements, such as:
Depending on how the above elements are arranged, the effect will be either formal or unconventional, which also says something about the brand. And so the text can be:
The alignment does not have to apply to all visual details of the letterhead paper, but the direction usually remains unchanged – to the left. Why? This is because of how the human brain processes visual stimuli.
As we most likely remember from school biology lessons, the optic nerves that transmit stimuli from our eyeballs to the brain cross over. As a result, our left brain hemisphere receives stimuli from the right eye and the right hemisphere from the left one.
The left one, considered the analytical one, is specialized in processing more complex written stimuli. The right one, more expert at synthesizing, is better at decoding any types of images.
If the brand logo, which is a graphic mark, was positioned on letterhead paper to the right of the text section, it would be received primarily by the right eye of the reader. It would be transmitted to the left brain hemisphere, which is not too good at this. At the same time, the right hemisphere (the more image-oriented one) would be trying to process the text part of the message because of the stimulus coming from the left eye.
If the graphic sign and the text are not too complex, the message would, of course, be understood. But the general reception and impression would be worse. There is a risk that the reader would neither absorb the content of the letter quickly and efficiently nor the remember the logo.
This has been proven in research conducted by cognitive psychologists in the 1990s. The general rule is: If you want to make sure your logo is well received in materials including both text and graphic elements, position it either:
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